"Another Language Caught Within"
Featuring grids, cubes, kobolds, Proust(s), aliens, gods, a giant bag of sand, synth-pop Verfremdungseffekten
/ Now at AC: “Some Column Poems” by Samuel M. Moss
To come across a youth burning aloeswood within a budding grove the indole scent the galling grab of chloride the corn had dried right there on the stalk some cant always doubted when we taught that craft an under metric of sampled speech— in curried monad breath
on burl, on knotted cornflower that keeps my hand numb can we make or see the temple whose serried walls of angle to not have a word to one’s own that gall, ineffable a splenetic game tarmac bound, the brine bath wisps of culture in a coral brand
To come across another language caught within its own lease
Three poems, at once adhering to and subtly breaking the constraints of the grid, playing with ideas of Proustian fantasy, seventies hair-metal fantasy (at least, that’s what I always get whenever kobolds are mentioned), language and its other, and the legacy of Modernism. Moss has said that the “mode that produced these poems came on suddenly, lasted for a month or so, then left” and was “the closest I've ever felt to being ‘inhabited.’” Like an Agnes Martin, these pieces are luminous in their rigidity, and deeply human in the ways they bend and move within that rigidity.
Read “Some Column Poems” by Samuel M. Moss at Always Crashing.
/ From the Archive: Nico Teixeira, “28 Cubes”
FEBRUARY
1.
Hole. Let’s do that one first shall we? The Cubby’s Veneer
Screen. [Hollow echoing] Work. Scary, right? [Scraping] O
pen X. Fiction. Science. Creep in. Jimmy, Jerry, HELP US|
me OUT OF HERE! How does it work? This sonnet? This
I M I T A T I O N fix. Willy, it’s wonked! Lost remote con
troll, you got a Golden Ticket? Full access? What to do w/
it? Behind scenes is a fatal trap. You’re gonna die. Can you
visualize all golden ratios of torture before it happens? Shut
down black mirrors. No disturbance. Futures pray to dogs,
son. Jesus bled for account’s net-worth of sun-network sin.
There you have it? It is Twilight Zone (one & only) original
Fifth Dimension. Ouch! I’m not gonna hurt you, tho it hurts!
@least you don’t have to flip out single sides. HELP! [Honk]
Get me out of here! STOP! [Honk] My e glasses broke. I can’t2.
see. Why r you afraid of the rooms? How many peeps r in
this Thing? R we caught? Some Thing— some one just cut
my head off! Cruel comments. Take care of your cats! Make
sure they r all right. It’ll b worth it. Don’t worry. Help some
user tie #laces. You’re a doctor now. [High-pitched whistle]
Do you remember how you got here? In a ravioli? One from
the freezer in the middle of the night. Only the government
could have built a ploy like this. Alien. God. You hope it’s a
god? Let us concentrate. We won’t solve any problem sitting
still. Keep the line moving. Work. There’s got 2 b a way out.
A bizarre, labyrinthine mashup of the Muppets and the Canadian sf horror classic Cube, as told through 28 cubes which might also be Instagram posts? One of the most carefully deranged works we’ve published. Read Nico Teixeira’s “28 Cubes” at our archive now.
/ Elsewhere:
“We regret to inform you the form you sent us was just a giant bag of sand”: Three very short fictions by AC contrib Benjamin Niespodziany at The Dodge!
“But seriously, what is life if not surrounded by everything that fills it with beauty and texture”: AC contrib Stephanie Yue Duhem interviews poet Ashley D. Escobar at Full Stop. Tawanda Mulalu calls Duhem’s new book, Cataclysm Moves Me I Regret to Say, “A spectacular, tender, and sensitive book of poems—but also alarmingly funny, even in its mood of socio-technological gloom.” Maybe you should check it out??
New Kristin Lueke in Birdcoat Quarterly! Also, because we can always use a reminder:
/ Today’s Soundtrack
What keeps mankind alive? I dunno man, I just work here. See you in two weeks, cool? Cool.